Can the SGD truly claim to be a democratic organisation?
I am a member of the Society of Garden Designers (SGD), British Association of Landscape Industries (BALI) and the Landscape Institute (LI). Of the three, I had always considered the LI to be the stuffiest, the least likely to embrace real change. Which is why last night’s EGM for the Landscape Institute represents a remarkable sea change. At a landmark meeting, members voted to make a number of changes to rules governing the Institute, including the Royal Charter, its regulations and bylaws. In the words of Merrick Denton-Thompson (the incoming president, as of last week):
“The results of the EGM now mean the LI is at the forefront of modern, progressive, inclusive and democratic professional bodies. The changes mean those with a stake in the organisation’s future have a say in it. Licentiate and academic members will now have voting rights and a seat on the Board; experienced practitioners will now have a route to Chartership; those working in landscape and related fields will be able to join as non-chartered members; our disciplinary processes now represent best practice across the sector; the trigger for members calling an EGM is now in line with similar bodies; and our election and voting systems have been simplified to allow far greater online participation. All of the changes mean we can now focus on growing membership and representing the increasingly diverse range interests and practice that makes up the modern landscape world.”
As Merrick suggests there, the changes also include routes for experienced practitioners to full membership, which the SGD has long had. However, the rest of the proposals put the LI clearly at the front of the pack in terms of democracy – they include changes to allow online voting and a more democratic process as well as greater representation.
This is a huge achievement, but is not the work of one president. It builds on the progress made by a reform-minded group of members, as well as the last two presidents – Sue Illman and Noel Farrar, who were both hugely energetic and forward thinking and represents a major turnaround in mindset for the Institute.
I have long argued that the SGD should be more democratic in the way it is organised. The governing council is made up of nine people who are elected from roughly two hundred members who are eligible to vote, but represent the interests of around 1400 people in total. So only around 14% of the membership are allowed to vote. There has been some move to get this changed, principally coming from those that don’t currently have the vote, but the case has not yet been put sufficiently strongly to convince the registered members to change the status quo.
At the very least, there should be representatives on council of the interests of non-registered members, but I actually think there is a strong argument for much greater reform. Some of the reasoning I have heard put forward by registered members – that other grades of membership would dilute the standard needed for qualification once they had the vote – at best sound like restrictive practice and at worst like the sort of arguments used against the suffragettes.
The SGD is still a vibrant and influential organisation. However, if it doesn’t reform, it will find itself becoming increasingly detached from the real world and less relevant. A bit like the Landscape Institute was a few years ago.
If you put the word ‘Urban’ into Google image search, this is what comes up:
A glossy, sleek, landscape of steel and glass. Actually, I think that many people’s idea of Urban is grittier, more individual; maybe even a little threatening. Something more like this:
The truth is more interesting. Landscape and Urbanism are intimately linked. If you ask almost anyone what is the earliest example of garden design they can think of, they will probably say (other than Eden) the hanging Gardens of Babylon.
This is the only one of the seven ancient wonders of the world to have no known historical location, although it is almost certain to have been in what is now Iraq. The important point is that the very concept of gardens emerged at the same time as Urbanism. Cities only became possible because people moved from a nomadic hunter-gatherer existence to one of settled agriculture. The idea of making gardens emerged at the same time – gardens and buildings are inextricably linked; so one could argue thatwithout cities there would have been no gardens.
Medieval cities were pretty dense – look at southern European examples that still survive. The same was true in a more haphazard way in Northern Europe, where wealth came later. Significant green urban spaces only began to emerge here with the Agrarian and then Industrial Revolutions, and the explosion of learning that came with them. Buildings began to be taller, partly because of new building methods. Larger scale developments began to emerge, along with ideas of urban design and town planning. These higher densities created value which effectively funded green spaces between the buildings: much of central London with its squares was built in this way. I love this image of Belgrave Square, a chunk of woodland surrounded by a dense urban grain:
This trend continued into the twentieth century. Look at this wonderful example of Urban design from Darbourne and Darke in Lillington Street, Pimlico. This was the project that inspired me to go into Landscape Architecture in the 1970s. Once again, the buildings justify (or perhaps are justified by) the landscape spaces between. Is this buildings in a landscape or landscape between buildings?
We have tried to follow this route with our own work. Look at this example of dense Urban development in St Johns Wood, below. It is easy to grasp the scale of the space and the way it is shoe-horned (over an underground car park) into a sliver of land between new houses and the back of the adjacent C19th houses.
And finally, Singapore. Some of you might remember from James Wong’s barnstorming presentation at the ‘Exotic’ conference in spring 2014 his fantastic images of ‘greened’ urban development in Singapore:
Here, they seem to have the daring to achieve the sort of things that British Cities achieved in the Victorian era. In our own way, we are still making daring statements in London, such as this huge living wall on the Rubens Hotel designed by Gary Grant.
This tied in very neatly with one of the co-sponsors of the conference, Treebox, whose system for living walls has the lowest water and nutrient usage of just about any on the market.
Perhaps the biggest challenge in Northern Europe though is how to deal with the post-industrial age. Nature has its own way of doing this of course. Look at this picture of a deserted, derelict Aldgate East tube station:
Duisberg in Germany (by Latz and Partners) is the best known of these post industrial landscapes. Here the gutsy nature of the industrial structures was retained rather than being sanitised, and a series of contemporary uses was found for the former steelworks.
Partick Cullina explored this more fully in his fascinating presentation on the New York Hi-Line Park. This landmark project came about through the intervention of residents when the structure was threatened by demolition, and a design competition was staged. It was won by a Briton, James Corner, a graduate of Manchester Poly like me. There is no doubt though, that the real success of the project is Piet Oudolf and Patrick Cullina’s subtle herbaceous planting.
‘Grand Projets’ have their place here too, and there is room for both these and the post-industrial renovations like the Hi-Line. Dan Pearson and Thomas Heatherwick’s Green Bridge project in London promises not only to be a fantastic structure and addition to London’s skyline, but also a major regenerative engine in its own right.
However, cities are as much about anarchy and the individual as government (perhaps more so?). So within the city grain there is room for outbreaks of individualism. I love London’s city farms such as Mudchute. Who could ask for a better picture than this:
There are also hundreds, thousands, hundreds of thousands of tiny back gardens, each crammed with plants and artefacts in an orgy of individualism and biodiversity. James Fraser’s anarchic gardens perfectly represent the importance of small interventions. These are perhaps more important for the ‘green life’ of a city and together make up the mosaic that is its true character. Here we can all play a part, and particularly the garden design community. Sue Illman talked passionately about the way water (as an issue) links all landscape spaces. How we manage water resources and how that influences the design decisions we make, thus becomes very important. She mentioned CIRIA and its C697 paper (downloadable for free) as a particular resource in this respect, and although some of the thinking has expanded a little since then, it is still a useful source of information.
The true nature of cities therefore begins to emerge; far from being sterile hard environments, they are as much made up of a network of vegetated spaces running through and between the buildings. In fact, more than 50% of London’s area is either ‘green’ or ‘blue’ (water). If we go back to aerial photographs, look first at this picture of Central London, and then one of the whole of London.
It is noticeable from these just how green the London is; it is not just the capital however, Manchester, Sheffield, Bristol, Glasgow and many others are just as green. The world’s largest urban horticultural survey (iTree) was undertaken in London this summer in an attempt to quantify cost and other benefits accruing from trees in the city. And there are many; look at the map below of the density of street trees in the London boroughs from the GLA website. What comes through is not only some of the surprising boroughs (like Southwark, with 50 trees per km of street) but also how haphazard the pattern is: it does not follow the ‘green doughnut’ that one would expect. Investment makes a real difference here.
I think what was remarkable about this conference was that at a day devoted to ‘Urban’ we spent the whole time talking about plants and nature. Our most important actions are to create the framework; nature will do most of the work thereafter. Indeed, one of the most interesting threads to emerge from the day was the way in which all the speakers worked with rather than against nature. Sue Illman’s rain gardens, Patrick Cullina’s planting on the Hi-line, James Fraser’s forest gardens and Dan Pearson’s carefully poised plant communities all had the underlying principles of permaculture in common. As Patrick Cullina pointed out, our interventions are important but they need to be finely balanced.
The SGD owes a particular vote of thanks to both Treebox and Griffin Nurseries for their generous sponsorship of this conference. We shouldn’t forget that planting can’t happen without nurseries!
Sue Illman PPLI director of Illman-Young and immediate past president of the Landscape Institute. www.illman–young.com
Patrick Cullina, former director of horticulture at both Brooklyn Botanic Garden and the Hi-Line. Patrick Cullina Horticultural Design & Consulting 894 Sixth Avenue, 5th floor New York, NY 10001 firstname.lastname@example.org
The ‘conservatory’ on the fourth floor of the Barbican is an unusual place for the Landscape Institute to hold a party, but last night it was rammed with Landscape Architects from all ends of the profession. Was it was an inspired choice? The brutalist architecture countered by the Tetrastigma, Ficus benjamina and other seventies throwbacks gave a neat if somewhat outdated reminder of the relevance of landscape and an interesting contrast to one of the themes of the evening – the 300th anniversary of Capability Brown. Some might argue that the 1970’s was not landscape architecture at its finest.
What interested me though was a second theme that emerged from the evening. In his ‘acceptance’ speech Noel Farrer (the incoming president) spoke of the great work done by Sue Illman (the outgoing president). As most people know, Sue’s area of expertise is water – SUDS, water sensitive urban design and the like. Noel mused on the way that Sue’s use of a single theme – water – was able to illustrate potential weakness in almost any issue, whether it is urban design, agriculture, global warming or transport.
Water of course connects all issues, especially those around biological (including human) activity. It is the connectivity and life force carrier of all biological systems.
Afterwards I was speaking to Jason Prior, a friend from college days. Jason trained as a landscape architect, but these days runs the built and external services section of Aecom, an international services company. He has around 10,000 people working for him – structural and services engineers, architects planners and of course some landscape architects. I asked him what he thought his training as a landscape architect brought to the job that others would not have. His answer was – “An understanding of systems”. An interesting answer. I thought about this: structural engineers are principally problem-solvers; services engineers design systems, architects (whilst doing a bit of both of those) design objects. Landscape architects on the other hand design frameworks which are then populated by systems and biological components. Although we also have our share of object design and problem-solving, it is this ability (or necessity?) to see the wider picture that makes landscape architects unique amongst design professionals. Not only do we design with time in a way which no other professions do, our projects are actually designed to change and develop as time passes. My guess is that the bigger the scheme, the truer this is.
So the question remains, are these skills under-utilised? Does landscape architecture provide a training – or state of mind – for more widely applicable skill-set? If so, how can the profession market itself to be taken more seriously, more widely. Perhaps we should leave it to Noel Farrer to answer that one.